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” seeing is believing “
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Amidst a wild flat meadow encircled by an Edenic lush forest, a couple have cocooned themselves in a secluded mansion that was not so long ago burned to the ground, devotedly restored by the supportive wife. Within this safe environment, the once famous middle-aged poet husband is desirous of creating his magnum opus; however, he seems unable to break out of the persistent creative rut that haunts him. Then, unexpectedly, a knock at the door, the sudden arrival of a cryptic late-night visitor and his intrusive wife will stimulate the writer’s stagnant imagination. Little by little, much to the perplexed wife’s surprise, the more chaos he lets in their haven, the better for his punctured male ego. In the end, will this incremental mess blemish, irreparably, the couple’s inviolable sanctuary?
Jennifer Lawrence and Javier Bardem play a lovely couple. Bardem is a struggling poet, while Lawrence tends to her house obsessively. Everything seems fine on the surface. What’s that, you ask? The house has a heart! I admit the deed! Tear up the planks! Here, here! It’s the beating of his hideous heart! … and scene. Thank you for indulging me. No seriously, the house has a heart.. and internal organs. It’s a living entity. I heard of the phrase “Home is where the heart is” but this is ridiculous. Is it? Lawrence plays someone that wants to be a mother to something. Her house? What happens when adoring fans come rushing in to see Bardem? Unwelcome visitors all! They wreck the house and impede on Lawrence’s hard work. This must not go on. To fill the void, Bardem and Lawrence conceive a child. As the days go on, the guest list becomes bigger and bigger. By the film’s midpoint, the house becomes a small city of thieves and squatters. After that, I must not share anymore. Because if you’re already confused by what I’m telling you.. you don’t know what confused is, my friend.
How does one interpret Mother! It’s the quintessential art-house/midnight movie. Therefore, anything is plausible. Aronofsky intended it that way. He juggles many concepts and critiques about life itself. Motherhood, paranoia, fame, claustrophobia, selfishness, lust, rage, war, peace, religion, gender, history.. Mother!